snuff box

Summary

Public: A circular box with concave, spreading sides and rounded base with a plain metal mount and slightly domed, hinged lid. Enamel on metal and painted on the lid on a white ground with a spray of flowers and a butterfly, the sides of the body are also painted with flower sprays and the bottom of the box with an insect. Private: A circular box with concave, spreading sides and rounded base with a plain metal mount and slightly domed, hinged lid. Enamel on metal and painted on the lid in naturalistic colours on a white ground with the image of a rose sprig with a pink bloom on which a butterfly is about to settle. The sides of the body are also painted with flower sprays and the bottom of the box with an insect.

Display Label

Gallery text panel Harold Raby Collection Harold Raby was charmed by English enamels finding them 'dainty and pretty, quaint and curious'. As a boy, he inherited a tiny, battered enamel box which inspired him to collect over 400 more items during the first half of the 20th century. These enamels were mainly made in Staffordshire and were fashionable from about 1750 to 1820. For Raby, they evoked a lost age of elegance and gave an insight into outmoded social customs. A local bank manager, Raby only had moderate means but he tried to buy examples of every type of object produced by the short-lived English enamel industry. He acquired boxes for face patches, snuff and tobacco, candlesticks, perfume bottles, tea caddies....... He even risked air raids to attend sales in London. Eventually, boxes outnumbered every other item and gave his collection an obsessive quality.