Battle Area, 15,000 feet

Sir Thomas Monnington 2/10/1902 - 7/1/1976

Summary

View of a bright sky and layered clouds at 15,000 feet, from the cockpit of an unseen aeroplane, the sunlight catching the edges of the white clouds, sea and coastline visible below. The title of the painting suggests the 'battle area' of air strikes or air raids, offering a view of the sky only visible to the air force during the post-war period. This view was available to the artist because he produced work as an official war artist for the War Artists' Advisory Committe.

Display Label

Absent Presence 19 June 2015 – 3 January 2016 Manchester Art Gallery recently acquired Exposed Painting Green Lake, 2012, by contemporary artist Callum Innes. This new display of works from our collection takes its inspiration from this painting. It looks at how art captures a moment in time and asks how a subject can be present in an artwork, yet absent at the same time. Innes created this Exposed Painting by a process of ‘unpainting’: brushing off the top layer of black paint to reveal the deep green colour underneath, leaving traces of brushstrokes behind. In this way, he both removes the image and leaves its presence visible. The paintings in this gallery all require a similar heightened level of looking, a searching for traces of the absent. The artists are often playing with the concept of time, adding presences from the past into scenes of the present. A literal example is this Victorian family photograph. The image of the boy has been inserted after his death to show that for his family, he remains forever present. When the subject is absent, we try to find the missing presence in what remains.