Hadrian's Villa, near Tivoli

Richard Wilson 1714 - 1782

Summary

Rural scene, looking at Hadrian's Villa near Tivoli in Italy. Viewed from the left bank of a river, ruined arches and a small stone building with pitched roof can be seen in the foreground. A figure stands upon the arches beside the dwelling, leaning over wooden railings from which washing is hanging. Below two figures rest beside a track running down the bank towards the river. The view from riverbank extends across a wooded landscape towards hills in distance. The sky is deep blue with scattered clouds.

Display Label

Grand Tour and Grand Style The Influence of Travel Improvements in European travel during the 1700s had a wide-ranging impact on British culture. A particularly significant influence was the Grand Tour, which became almost obligatory for young gentlemen. Grand Tourists were led across Europe by tutors to study art, history and politics for two or three years. The Grand Tour focused on Italy, particularly Rome, and often incorporated new archaeological sites such as those at Herculaneum and Pompei, near Naples. Ancient antiquities were heavily trafficked across Europe and continental works of art flooded into Britain. A period of especially active collecting took place between the end of the Seven Years War in 1763 and the rise of Napoleon in the 1790s. As more artists and designers also visited the continent their work became increasingly informed by travel. The serious themes of classical antiquity and European art led to a new departure in painting called the Grand Style. This championed classical, historical or literary subjects, and inspired radical changes in portraiture and landscape. Widespread interest in Greek and Roman remains also fostered fresh interpretations of ancient designs by pioneers of decorative art such as Josiah Wedgwood.