Featuring mid-20th-century portraits from our permanent collection, this exhibition explores what it is to be human.
Manchester Art Gallery
Saturday 1 April 2017–Sunday 3 September 2017
Throughout history, artists have painted portraits to capture a likeness, often idealising the appearance of the sitter – this was particularly the case when the sitter also commissioned the portrait. However, as this collection of paintings demonstrates, capturing the individual characteristics and personality of the sitter was not the only aim: many of the artists exhibited here were seeking a way of expressing visually their experience of, and relationship with, the sitter. In so doing, the artists explore expressions of human emotion common to us all – love, desire, frustration, grief and loneliness. The portraits become more than simply depictions of individuals, but a starting point to investigate human relationships generally, and the extent and limitations of emotional intimacy and isolation.
Creativity, conversation and our capacity to experience and reflect upon our emotions are often thought to be what define us as human. In this show, the paintings prompt us to consider the construction of identity, and the gulf between the way we present ourselves and the way we are perceived and in turn perceive others.
The exhibition includes a new acquisition, Miss Monter/Descendre by Boris Nzebo.
Hear from the curator
Marie-Louise von Motesiczky
Boris Nzebo Miss Monter Descendre (detail)
Exhibition paint kindly supplied by Farrow&Ball