An oval box with concave sides, gadrooning around the base, plain brass mount and a hinged lid with a mirror inside. Enamel on metal and painted on lid with a slightly caricatured profile, to the left, of a woman in a wide straw hat with blue ostrich feathers and hanging veil, wearing a red dress. Her name and title are inscribed in curved areas around her portrait, enclosed within a border of raised white dots; light blue ground colour.
Gallery text panel Harold Raby Collection Harold Raby was charmed by English enamels finding them 'dainty and pretty, quaint and curious'. As a boy, he inherited a tiny, battered enamel box which inspired him to collect over 400 more items during the first half of the 20th century. These enamels were mainly made in Staffordshire and were fashionable from about 1750 to 1820. For Raby, they evoked a lost age of elegance and gave an insight into outmoded social customs. A local bank manager, Raby only had moderate means but he tried to buy examples of every type of object produced by the short-lived English enamel industry. He acquired boxes for face patches, snuff and tobacco, candlesticks, perfume bottles, tea caddies....... He even risked air raids to attend sales in London. Eventually, boxes outnumbered every other item and gave his collection an obsessive quality.
object: 2.4cm x 4.3cm
Place of creation
Harold Raby bequest
© Manchester Art Gallery