Manchester Art Gallery

Black Lives Matter

Around the world people are demonstrating their outrage at the killing of George Floyd and with other cultural institutions we join in condemning racist oppression and violence. Like millions of others we have taken to social media, to observe #blackouttuesday, to take time to think about our position and to participate in providing a space for the amplification of black voices.

Deeds not words

Museums have a great convening power, to bring people together to share, exchange and create positive forms of culture and connecting

As civic and public art institutions founded in the nineteenth century we need to do this with care and consideration. Our roots, and those of our city, are entangled with colonialism and capitalism, our prosperity built on manufacture, trade and empire – and this resonates today. We understand that it is critical to acknowledge and address structural racism,  and show solidarity with local and global communities that are subject to racial inequality and discrimination. Yet we also know that actions speak louder than words – we must make practical and tangible contributions to change.

So what can an art museum do in this respect, beyond the symbolic?

Speaking up and speaking out

Both the Whitworth and Manchester Art Gallery have been working to decolonise and de-modernise the narrative of our collections and exhibitions. Recently, we have been inviting and supporting a wide range of constituents to use the museum to speak up and out to others and to provide space for a multitude of voices and experiences. Exhibitions such as Beyond Faith, Bodies of Colour, Four Corners of One Cloth and The Reno at the Whitworth; Speech Acts, Waqas Khan, Sonia Boyce and our new project with Jade Montserrat and INIVA here at Manchester Art Gallery are some examples of how we are trying to be part of the conversation and actively contribute to change.

We have also been updating our collecting policies – in our collecting today, we are working to rectify the historic imbalance between white male artists and other artists who have been side-lined. We want to collect art that is representative of all our communities, and this means continually educating ourselves and listening to a diversity of voices.

Getting together and getting things done

Museums have a great convening power, to bring people together to share, exchange and create positive forms of culture and connecting, but beyond this we also need action. This work is wider-ranging but as a whole starts to build a head of steam that does more than create cultural capital for institutions. It starts to shift policy and practice in the wider world. This is operational stuff; creating a new curriculum for schools across the city that works for everyone; working with artists such as Suzanne Lacy and Imran Peretta to give voice and agency to youth; offering up the gallery spaces for groups to use for their own ends and means; changing policy in employment and access; supporting political and activist art internationally; working with our colleagues in the University and third sector to address health inequality amongst ethnic minority communities; fostering cohesion and building bridges of cultural understanding through the School of Integration.

There is a long way to go, but I hope that through collective action not just our museums will be transformed, but that the world on our doorstep will be as well.

Alistair Hudson, Director, the Whitworth and Manchester Art Gallery

 

Ways You Can Help

Educate Yourself. This Doesn’t Go Away Once The Topic Isn’t, “Trending.”

Ways you can help, A resource linking to maps of protests, ways to donate, FAQs and further reading.

Revealing Histories

How much did Manchester profit from Slavery? This website from 2007 uses objects in museum collections to unravel the connections and reveal the local stories.

6 responses to “Black Lives Matter”

  1. Lesley Hampson says:

    Hello Alistair. Thanks so much for your powerful response to the killing of George Floyd. It makes me proud to be a volunteer at MAG and part of a team that is getting together and getting things done in condemning racist oppression and violence around the world.
    Meg Parnell is our superb manager and she deserves many thanks for the support she gives to us volunteers.
    I feel so lucky to be part of this group of volunteers, many of whom have become good friends.

    • Martin Grimes says:

      Hi Lesley, thank you so much for this response – we’ll forward it to Alistair and Meg. It’s lovely to hear your heart-warming feedback and we look forward to welcoming you back into the building just as soon as it’s safe for us all to do so.

  2. Anonymous says:

    Can I ask if/how much teachers in Tania Bruguera’s School of Integration were paid for their contribution to their piece? I’ve been thinking about this ever since I attended one of the workshops and didn’t know who to ask…

    • Martin Grimes says:

      Hi, we’ve forwarded your question to one of the team who worked on the School of Integration and will get back to you as soon as we know any more. Thanks.

  3. Anonymous says:

    Thanks fort he quick reply, I look forward to your response.

    • Martin Grimes says:

      Hi, one of the project team got back to us with the following:

      Many thanks for your enquiry. Yes, all the teachers who participated in the School of Integration were paid and their travel costs were reimbursed. Teachers with the right to work were paid the Manchester Living Wage of £9.51 per hour. This included the time they spent in rehearsals and any training too. We thanked our teachers without the right to work for their participation with the gift of a voucher. We continue to work with many of our teachers with the hope of having a new School of Integration lesson programme in the future.

      I hope that answers your question, but if you need anything more, please just ask.

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