The Adoration of the Shepherds

Ridolfo Ghirlandaio (attributed to) 1483 - 1561

Summary

This fine tondo is attributed to Ridolfo, son of the more celebrated Domenico Ghirlandaio (1449-1494). Ridolfo was himself a leading painter in Florence in the first half of the sixteenth century, who received several important commissions from the Medici. The poses of the figures echo the circular composition. Mary, Joseph and the shepherds lean inward, while the Infant leans back towards them in an unusual pose, looking over his left shoulder, steadying himself with crossed arms against a bolster. The rounded forms, elegant draperies and naturalistic setting of a dilapidated stable with an ox demonstrate the monumental and harmonious qualities of High Renaissance style. The vivid colouring and almost sculptural quality of the figure work heighten the scene's emotional intensity and add dramatic impact. They are offset by delicate touches, such as the tiny wild flowers in the foreground and an elegant background landscape. Comparisons with Ridolfo's authenticated paintings suggest a date of c.1505-1515. The shepherds, who have no obvious attributes, may be portraits of donors.