gloves

Summary

Buff leather gauntlet gloves. Cuffs (lined with brown and green shot silk) embroidered in formal floral design mainly in coiled metal thread over silk thread worked in satin stitch, open at outside to wrist with gold fringe round side and bottom edges, outside edges connected by three leather strips lined brown silk with looped edging of gold thread and embroidered in meandering design in laid metal thread and spangles, rest of glove, except side pieces of fingers, lined leather, side pieces of fingers shaped into point on back of hand, applied leather band with formal floral embroidery round base of thumb, rectangle beneath with similar embroidery joining band of gauntlet

Display Label

Highly decorated gloves have been created and presented as gifts since the sixteenth century if not earlier. Sumptuously embroidered pairs for both men and women survive in substantial quantities from the seventeenth century, and reveal the skills of English needleworkers. Gauntlets covering the wrist section were extravagantly embroidered, trimmed with costly bobbin or needle lace, and with contrasting silk tabs as hinges, whilst the finger seams were overstitched. As slim elongated fingers were seen as a sign of beauty and gentility in Elizabethan times, glove makers strove to please their clients by cutting the finger sections far longer than a natural finger, with an extra "unfilled" section at the tip, as can be seen in these early examples. These elaborate, ornate accessories were not intended for wear, but for display and admiration, rather like the lavishly embroidered purses which contained coins or sweet herbs as gifts. Eighteenth century gloves were also highly trimmed, and some for women were elbow length. Kid can also be printed in bold monochrome designs as was popular in the early nineteenth century. The 1920s and 30s saw imaginative gauntlet designs based on "art deco" styles with contrasting bands of colour.