Untitled 1989

Edwina Leapman 1934

Summary

This abstract work indicates an interest in the associative and emotional power of colour, space and line. The artist has suggested that the significance of 'greyness' is threefold: it relates to her memory of Aldershot during the war, to deadness and ugliness. This particular work also has a special optical quality, where the horizontal grey lines appear to vibrate and merge. This work can be positioned within the genres of abstract expressionism and particularly American colour field painting, even though the artist is British.

Display Label

Absent Presence 19 June 2015 – 3 January 2016 Manchester Art Gallery recently acquired Exposed Painting Green Lake, 2012, by contemporary artist Callum Innes. This new display of works from our collection takes its inspiration from this painting. It looks at how art captures a moment in time and asks how a subject can be present in an artwork, yet absent at the same time. Innes created this Exposed Painting by a process of ‘unpainting’: brushing off the top layer of black paint to reveal the deep green colour underneath, leaving traces of brushstrokes behind. In this way, he both removes the image and leaves its presence visible. The paintings in this gallery all require a similar heightened level of looking, a searching for traces of the absent. The artists are often playing with the concept of time, adding presences from the past into scenes of the present. A literal example is this Victorian family photograph. The image of the boy has been inserted after his death to show that for his family, he remains forever present. When the subject is absent, we try to find the missing presence in what remains.