Martin Parr shows how the lives of Mancunians have changed but also reveals how there is continuity in how we live our lives.
Free Admission
Martin Parr shows how the lives of Mancunians have changed but also reveals how there is continuity in how we live our lives.
Martin Parr is endlessly curious about how we all live our lives. He has developed an international reputation for his colourful photographs which capture our times – whether it is the food we eat, the fashions we wear, what we buy or our leisure activities. His images present the familiar in a new and wry way.
I REMEMBER SO WELL ARRIVING INTO MANCHESTER IN 1970, HAVING TRAVELLED FROM THE SAFETY OF SUBURBAN SURREY. IT WAS EXCITING AND FELT VERY REAL. HAVING BEEN A REGULAR VISITOR TO THE BRADFORD AREA TO STAY WITH MY GRANDPARENTS, I HAD TASTED THE NORTH AND ALWAYS LIKED THE FRIENDLINESS AND SENSE OF COMMUNITY THAT WAS SO DIFFICULT TO FIND IN SURREY.
Starting his career in Manchester, Parr studied at Manchester Polytechnic (now Manchester Metropolitan University) from 1970-73. The city had a profound effect on him as it was so different from his childhood home in suburban, affluent Surrey. It sparked his curiosity about people’s lives, what it is to live in a Northern, largely working class and diverse city and he embraced his new context with enthusiasm. After his tutor’s intervention which stopped him being expelled from the Polytechnic after his first year, he began making cohesive documentary projects which explored a particular subject. One of the first of these was Prestwich Mental Hospital in 1972 where he spent three months photographing the patients and their surroundings.
Parr has revisited the city many times over the last 40 years to document the lives of Mancunians. The exhibition brings together a selection of Parr’s Manchester photographs. Ranging from black and white images of June Street, Salford in 1972 and Yates Wine Lodges in 1982-3, to colour photos of people shopping in 1986 and 2008, his work shows how the lives of Mancunians have changed but also how there is continuity in how we live.
We have commissioned Parr to make a new body of work – a portrait of the city and its people in 2018. Parr has made a number of recent visits to Manchester, meeting people shopping, in hairdressers, in Mosques, in cafes, at markets, in factories, at parties, playing sport and in the gay village. He has captured scientists doing ground-breaking research at Manchester University, fans of the city’s world famous football teams and the state of the art facilities at the BBC in Media City. The images reveal the diversity and inclusive nature of our city and the breadth of activity which takes place. They uncover people’s passions, skills, relationships, quirks – celebrating the humanity of the everyday. A selection of these prints will enter the gallery’s collection.
BUM FREEZERS, FEATHERCUTS AND FLARES: MARTIN PARR’S RETURN TO MANCHESTER
THE PLACE IS STILL AS BONKERS AS EVER, IT’S VERY SURREAL.
OUTSIDE THE FRAME, HE’S LOOKING IN, BUT, CRUCIALLY, NEVER LOOKING DOWN.
LIKE DOVER STREET ON ACID
A catalogue to accompany the exhibition will be available from 15 November. Including black and white images of Prestwich Mental Hospital in 1972, Yates’s Wine Lodges 1982-3, colour Point of Sale photographs from 1986 and the Guardian Cities Project in 2008 as well as from the 2018 new commission.
Available to purchase in the Gallery shop or buy online from Art UK.
